In the early 1980s, he became a dominant figure in popular music and the first African-American entertainer to amass a strong crossover following on MTV. The popularity of his music videos airing on MTV, such as "Beat It", "Billie Jean" and Thriller — widely credited with transforming the music video from a promotional tool into an art form — helped bring the relatively new channel to fame. Videos such as "Black or White" and "Scream" made Jackson an enduring staple on MTV in the 1990s. With stage performances and music videos, Jackson popularized a number of physically complicated dance techniques, such as the robot and the moonwalk. His distinctive musical sound and vocal style influenced many hip hop, pop and contemporary R&B artists. While Jackson was a member of Generation Jones, he had an impact on multiple generations.
Jackson donated and raised millions of dollars for beneficial causes through his foundation, charity singles and support of 39 charities. Other aspects of his personal life, including his changing appearance and behavior, generated significant controversy, damaging his public image. Though he was accused of child sexual abuse in 1993, the criminal investigation was closed due to lack of evidence and Jackson was not charged. The singer had experienced health concerns since the early 1990s and conflicting reports regarding the state of his finances since the late 1990s. Jackson married twice and fathered three children, all of which caused further controversy. In 2005, Jackson was tried and acquitted of further sexual abuse allegations and several other charges.
One of the few artists to have been inducted into the Rock and Roll Hall of Fame twice, his other achievements include multiple Guinness World Records — including one for "Most Successful Entertainer of All Time"—13 Grammy Awards, 13 number one singles in his solo career — more than any other male artist in the Hot 100 era and the sale of 750 million records worldwide. Jackson's highly publicized personal life, coupled with his successful career, made him a part of popular culture for almost four decades. Jackson died on June 25, 2009, aged 50. The specific cause of death is yet to be determined. Before his death, Jackson had announced a 50 date sell-out This Is It comeback tour, in London, England.
Vocal style
Jackson sang since he was a child, and over time his voice and vocal style changed noticeably, either through puberty or a personal preference to align his vocal interpretation to the themes and genres he chose to express. Between 1971 and 1975, Jackson's voice "descended ever so slightly from boy soprano to his current androgynous high tenor". In the mid-1970s, the singer adopted a "vocal hiccup" as seen in "Shake Your Body (Down to the Ground)". The purpose of the hiccup — somewhat like a gulping for air or gasping — was to help promote a certain emotion, be it excitement, sadness or fear. With the arrival of Off the Wall in the late 1970s, Jackson's abilities as a vocalist were well regarded; Allmusic described him as a "blindingly gifted vocalist". At the time, Rolling Stone compared his vocals to the "breathless, dreamy stutter" of Stevie Wonder. Their analysis was also that "Jackson's feathery-timbered tenor is extraordinarily beautiful. It slides smoothly into a startling falsetto that's used very daringly". 1982 saw the release of Thriller, and Rolling Stone were of the opinion that Jackson was then singing in a "fully adult voice" that was "tinged by sadness".
The release of "Bad" in 1987 displayed gritty lead vocals on the verse and lighter tones employed on the chorus. A distinctive deliberate mispronunciation used frequently by Jackson, occasionally spelt "cha'mone" or "shamone", is also a staple in impressions and caricatures of him. The turn of the 1990s saw the release of the introspective album Dangerous; here Jackson used his vocals to intensify the split themes and genres described earlier. The New York Times noted that on some tracks, "he gulps for breath, his voice quivers with anxiety or drops to a desperate whisper, hissing through clenched teeth" and he had a "wretched tone". When singing of brotherhood or self-esteem the musician would return to "smooth" vocals. "In the Closet" contained heavy breathing and a loop of five scat-sung syllables, whereas in the album's title track, Jackson performs a spoken rap. When commenting on Invincible, Rolling Stone were of the opinion that — at the age of 43—Jackson still performed, "exquisitely voiced rhythm tracks and vibrating vocal harmonies". Nelson George summed up Jackson's vocals by stating "The grace, the aggression, the growling, the natural boyishness, the falsetto, the smoothness — that combination of elements mark him as a major vocalist".
Music videos and choreography
Steve Huey of Allmusic observed how Jackson transformed the music video into an art form and a promotional tool through complex story lines, dance routines, special effects and famous cameo appearances; simultaneously breaking down racial barriers. According to director Vincent Paterson, who collaborated with the singer on several music videos, Jackson conceptualized many of the darker, bleak themes in his filmography.
Before Thriller, Jackson struggled to receive coverage on MTV because he was African American. Pressure from CBS Records persuaded MTV to start showing "Billie Jean" and later "Beat It", leading to a lengthy partnership with Jackson, also helping other black music artists gain recognition. The popularity of his videos on MTV helped to put the relatively young channel "on the map"; MTV's focus shifted in favor of pop and R&B. Short films like Thriller largely remained unique to Jackson, while the group dance sequence in "Beat It" has frequently been imitated. The choreography in Thriller has become a part of global pop culture, replicated everywhere from Bollywood to prisons in the Philippines. The Thriller short film marked an increase in scale for music videos, and has been named the most successful music video ever by the Guinness World Records.
In the 18-minute music video for "Bad" — directed by Martin Scorsese — Jackson began using sexual imagery and choreography not previously seen in his work. He occasionally grabbed or touched his chest, torso and crotch. While he has described this as "choreography," it garnered a mixed reception from both fans and critics; Time magazine described it as "infamous". The video also featured Wesley Snipes; Jackson's videos would often feature famous cameos roles in the future. For "Smooth Criminal", Jackson experimented with an innovative "anti-gravity lean" in his performances, for which he was granted US Patent No. 5,255,452. Although the music video for "Leave Me Alone" was not officially released in the US, in 1989, it was nominated for four Billboard Music Video Awards, winning three; the same year it won a Golden Lion Award for the quality of the special effects used in its production. In 1990, "Leave Me Alone" won a Grammy for Best Music Video, Short Form.
The MTV Video Vanguard Artist of the Decade Award was given to Jackson to celebrate his accomplishments in the art form in the 1980s; the following year the award was renamed in his honor. "Black or White" was accompanied by a controversial music video, which, on November 14, 1991, simultaneously premiered in 27 countries with an estimated audience of 500 million people, the largest viewing ever for a music video. It featured scenes construed as having a sexual nature as well as depictions of violence. The offending scenes in the final half of the 14-minute version were edited out to prevent the video from being banned, and Jackson apologized. Along with Jackson, it featured Macaulay Culkin, Peggy Lipton and George Wendt. It helped usher in morphing as an important technology in music videos.
"Remember the Time" was an elaborate production, and became one of his longest videos at over nine minutes. Set in ancient Egypt, it featured groundbreaking visual effects and appearances by Eddie Murphy, Iman and Magic Johnson, along with a distinct complex dance routine. The video for "In the Closet" was Jackson's most sexually provocative piece to date. It featured supermodel Naomi Campbell in a courtship dance with Jackson. The video was banned in South Africa because of its imagery.
The music video for "Scream", directed by Mark Romanek and production designer Tom Foden, is one of Jackson's most critically acclaimed. In 1995, it gained 11 MTV Video Music Award Nominations — more than any other music video — and won "Best Dance Video", "Best Choreography", and "Best Art Direction". The song and its accompanying video are a response to the backlash Jackson received from the media after being accused of child molestation in 1993. A year later, it won a Grammy for Best Music Video, Short Form; shortly afterwards Guinness World Records listed it as the most expensive music video ever made at a cost of $7 million.
"Earth Song" was accompanied by an expensive and well-received music video that gained a Grammy nomination for Best Music Video, Short Form in 1997. The video had an environmental theme, showing images of animal cruelty, deforestation, pollution and war. Using special effects, time is reversed so that life returns, war ends and the forests re-grow. Released in 1997 and premiering at the 1996 Cannes Film Festival, Ghosts was a short film written by Jackson and Stephen King and directed by Stan Winston. The video for Ghosts is over 38 minutes long and holds the Guinness World Record as the world's longest music video.